Barrett, The Honors College Thesis/Creative Project Collection

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2012 2017

This project began when I heard a story that made my mind turn. The story was about a five- year-old girl who left her glove in the car on a chilly morning before school. Upon reaching the school entrance, she turned to her mother and cried, “Oh no! Mom! I’m Doomed!!” because she neglected to put on one of her gloves (Snow, 2012). Her mother, astonished by her daughter’s mature answer, asked her daughter where she had heard that word before. The daughter explained that The Marley brothers told Scrooge this in the production of “A Christmas Carol” that she ...

Contributors
Isenberg, Bailey Marie, Ballantyne, Cindy, Weber, Catherine, et al.
Created Date
2013-05
Contributors
Bingham, Tucker, Setlow, Jennifer, Melo, Carla, et al.
Created Date
2012-12

Only in the world of acting can an individual be denied a job simply on the basis of their appearance, and in my thesis, I sought to explore alternatives to this through the concept of nontraditional casting and casting against “type”, which included the presentation of a full-length production of the musical “Once on this Island” which I attempted to cast based on vocal quality and skill alone rather than taking physical characteristics into account. I researched the history and implementation of nontraditional casting, both in regards to race and other factors such as gender, socio-economic status, and disability. I ...

Contributors
Briggs, Timothy James, Yatso, Toby, Dreyfoos, Dale, et al.
Created Date
2014-12

Though people are beginning to analyze the internet as an active social force, a seemingly insurmountable problem permeates all criticisms of the world wide web: how do we begin to frame the Internet as a subject of inquiry when its role in our lives is constantly shifting, continually slipping from definition, yet undeniably reconstructing a new human condition? I believe an answer may lie in placing the Internet within the context of the Faust Myth – a legend that has repeatedly been used to explore humanity’s obsession with power. For my undergraduate honors thesis, I wrote and performed an adaptation ...

Contributors
Munger, Adrielle Karen, Sturges, Robert, Sterling, Pamela, et al.
Created Date
2013-05

This project and research intended to address how to successfully run and teach a high school level Theatre I course. The research portion of the project focused on activities to use in the classroom, how to run a drama club and put on productions, and how to create a positive classroom environment where students feel comfortable creating art. The creation portion of the project focused on the things a teacher will need in the classroom: an introduction letter, vision statement, syllabus, and unit plans. The final product includes three unit plans: Introduction to Theatre I, Introduction to Acting, and Theatre ...

Contributors
Kircher, Alyssa Elaine, Sterling, Pamela, Whissen, Elaine, et al.
Created Date
2014-05

Of Leto: a staged concert reading is a new work development created by Alexander Tom and Daniel Oberhaus focusing on collegiate collaboration, production process, and creative intuition. An original story was adapted by Daniel Oberhaus into a working libretto. Alexander Tom created a two-act musical-drama and utilized the colleges on the Arizona State University – Tempe campus: Barrett, the Honors College, W.P. Carey School of Business, the College of Liberal Arts and Sciences, and the Herberger Institute for Design and the Arts: School of Music and School of Theatre, Film and Dance. This cross-discipline staged concert reading was comprised of ...

Contributors
Tom, Alexander Robert, DeMars, James, Swoboda, Deanna, et al.
Created Date
2016-05

Female social stereotypes paralyze female actors when approaching roles in theatre. This thesis discusses some of the social stereotypes I have encountered in theatre and how I have chosen to orient myself through those stereotypes. Combined with a 45 minute performance, I took iconic female roles that embody stereotypes such as, the girl-next-door, the mother, the ugly girl, the naïve virgin, and the tomboy, and tried to approach them through the given circumstances and not the stereotypes. The result ended in a powerful, vulnerable presentation that ignited the human truths under each stereotype. In order to create insightful, empowering female ...

Contributors
Sawyer, Sarah Elyse, Yatso, Toby, Eckard, Bonnie, et al.
Created Date
2014-05

We endeavored to begin the process of writing a musical. We composed a total of three songs, 30 pages of script (non-consecutive) with an outline summarizing the remaining uncompleted pages, seven character summaries/analyses, and a reflection on the process and next steps, and presented them in a “Producer Pitch” format to our readers. In our paper we discuss the birth of inspiration for Girls And Boys—namely philosophical conflicts about the role of biology vs. society in gender identity and real, local events of public districts reevaluating their sex education program—as well as the challenges we experienced during the process and ...

Contributors
Doering, Emilie, Moylan, Megan, Yatso, Toby, et al.
Created Date
2015-05

The desire for normalcy is constant, regardless of how unattainable one knows it is. As it seems, the harder one tries for a normal life, the harder it becomes to find it. The more life I experience, the more I realize that normalcy is a construct, completely based in generalizable concepts. Normal will vary from person to person, and even within that, life always provides plenty of deviations from the norm. Within those deviations lies trauma. Trauma is difficult to handle, period. It is even more difficult to handle alone. You Can’t Cry While Drinking (Coffee) follows a collegiate arts ...

Contributors
Galbiati, Tess Angeline, Scott, Jason, Eckard, Bonnie, et al.
Created Date
2017-05

Over the course of my undergraduate experience, I have grown significantly as an artist - developing an assortment of strengths in a variety of cinematic disciplines ranging from screenwriting and producing to post-production and cinematography. All the while, I have been giving back to the Sun Devil community by serving in a number of leadership positions around campus which exposed me to a plethora of communities differ from my own. The combination of these experiences allows me to continuously explore new passions in synergy with my art. Two of these standing as the concept of live performance and the work ...

Contributors
Arcaro, Michael Anthony, Giner, Oscar, Eckard, Bonnie, et al.
Created Date
2016-05

Barrett, the Honors College accepts high performing, academically engaged students and works with them in collaboration with all of the other academic units at Arizona State University. All Barrett students complete a thesis or creative project, supervised and defended in front of a faculty committee. The thesis or creative project allows students to explore an intellectual interest and produce an original piece of scholarly research. The thesis or creative project is a student’s opportunity to explore areas of academic interest with greater intensity than is possible in a single course. It is also an opportunity to engage with professors, nationally recognized in their fields and specifically interested and committed to working with honors students. This work provides tangible evidence of a student’s research, writing and creative skills to graduate schools and/or prospective employers.