Skip to main content

ASU Electronic Theses and Dissertations


This collection includes most of the ASU Theses and Dissertations from 2011 to present. ASU Theses and Dissertations are available in downloadable PDF format; however, a small percentage of items are under embargo. Information about the dissertations/theses includes degree information, committee members, an abstract, supporting data or media.

In addition to the electronic theses found in the ASU Digital Repository, ASU Theses and Dissertations can be found in the ASU Library Catalog.

Dissertations and Theses granted by Arizona State University are archived and made available through a joint effort of the ASU Graduate College and the ASU Libraries. For more information or questions about this collection contact or visit the Digital Repository ETD Library Guide or contact the ASU Graduate College at gradformat@asu.edu.


This dissertation investigates vocal performance of art songs requiring authentic and appropriate regional dialects of the American South. Through close analysis of performance practice in American opera, musical theatre, and art song, this document follows the existence of regional southern dialects on the stage from the early 1800s to today’s practice. Evidence of specified regional southern accents is discussed regarding literary depictions in librettos, lyrics, and dialogue. Other topics include the ways regional nuances and colloquialisms differentiate southern regional accents, the existence of a generic “southern” accent to stand for any representation of rural whites, and, briefly, the nonspecific ways …

Contributors
Cole, Nina Michelle, Dreyfoos, Dale, Norton, Kay, et al.
Created Date
2017

The purpose of this study was to: (1) record and describe a brief history of the life and career of Bolivian composer Dr. Nicolás Suárez Eyzaguirre, and (2) write an analysis from a vocal performer's perspective of Suárez's song cycle for soprano and piano, Monólogos del Desierto, with texts by Dr. Guillermo Mariaca Iturri. In August of 2013, I traveled to La Paz, Cochabamba, and Coroico, Bolivia, with translator Dr. Marie Cooper Hoffman for thirteen days in order to conduct interviews with Suárez, his family, his colleagues, his composition professors, and other professional musicians. In addition to both in-person and …

Contributors
Stanford, Allison, FitzPatrick, Carole, Dreyfoos, Dale, et al.
Created Date
2015

The thrill of a live performance can enhance endorphin, serotonin, dopamine, and adrenaline levels in the body. This mixture of heightened chemical levels is a result of "performance adrenaline." This phenomenon can positively and/or negatively affect a performing singer. A singer's body is her instrument, and therefore, any bodily change can alter the singing voice. The uptake of these chemicals can especially influence a central aspect of singing: breath. "Performance adrenaline" can induce shallow or clavicular breathing, alter phonation, and affect vibrato. To optimize the positive effects and counteract the negative, diaphragmatic breathing, yoga, and beta-blockers are explored as viable …

Contributors
Paige, Belinda Roseann, FitzPatrick, Carole, Dreyfoos, Dale, et al.
Created Date
2015

While opera often portrays young heroes and heroines in love, only recently have children taken center stage as principal characters in opera. This paper outlines the evolution of child characters in the standard opera repertoire, beginning with the famous trouser roles of Cherubino from Le nozze di Figaro, Siébel from Faust, Stéphano from Roméo et Juliette, Octavian from Der Rosenkavalier, and Hänsel from Hänsel und Gretel, and ending with principal child roles written for boys (Amahl from Amahl and the Night Visitors and Miles from The Turn of the Screw). Examination of the history of childhood and the casting of …

Contributors
Schildkret, Miriam R., FitzPatrick, Carole, Dreyfoos, Dale, et al.
Created Date
2017