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ASU Electronic Theses and Dissertations


This collection includes most of the ASU Theses and Dissertations from 2011 to present. ASU Theses and Dissertations are available in downloadable PDF format; however, a small percentage of items are under embargo. Information about the dissertations/theses includes degree information, committee members, an abstract, supporting data or media.

In addition to the electronic theses found in the ASU Digital Repository, ASU Theses and Dissertations can be found in the ASU Library Catalog.

Dissertations and Theses granted by Arizona State University are archived and made available through a joint effort of the ASU Graduate College and the ASU Libraries. For more information or questions about this collection contact or visit the Digital Repository ETD Library Guide or contact the ASU Graduate College at gradformat@asu.edu.


Contributor
Date Range
2010 2019


ABSTRACT Many musicians, both amateur and professional alike, are continuously seeking to expand and explore their performance literature and repertory. Introducing new works into the standard repertory is an exciting endeavor for any active musician. Establishing connections, commissioning new works, and collaborating on performances can all work together toward the acceptance and success of a composer's music within an instrument community. For the flute, one such composer is Daniel Dorff (b. 1956). Dorff, a Philadelphia-based composer, has written for symphony orchestra, clarinet, contrabassoon, and others; however, his award-winning works for flute and piccolo are earning him much recognition. He has ...

Contributors
Rich, Angela Marie, Buck, Elizabeth Y, Hill, Gary W, et al.
Created Date
2010

ABSTRACT The Orpheus Male Chorus of Phoenix occupies and maintains an historical place in the musical and civic history of the City of Phoenix and the State of Arizona. Organized in November, 1929, the Orpheus Male Chorus of Phoenix (OMC) is the only performing arts organization in Phoenix that can claim eighty-one years of continuous performance. The chorus gained popularity locally, nationally, and internationally in its first five decades. The breadth of the chorus's recognition began to decline in the latter part of the 20th century, but the chorus still retains a loyal following of audience members. This study focuses ...

Contributors
Butler Ii, Robert Charles, Schildkret, David, Holbrook, Amy, et al.
Created Date
2010

Although one finds much scholarship on nineteenth-century music in America, one finds relatively little about music in the post-Civil-War frontier west. Generalities concerning small frontier towns of regional importance remain to be discovered. This paper aims to contribute to scholarship by chronicling musical life in the early years of two such towns in northern Arizona territory: Prescott and Flagstaff. Prescott, adjacent to Fort Whipple, was founded in 1864 to serve as capital of the new territory. Primarily home to soldiers and miners, the town was subject to many challenges of frontier life. Flagstaff, ninety miles to the north-northwest, was founded ...

Contributors
Johnson, Amber, Oldani, Robert W., Holbrook, Amy, et al.
Created Date
2011

John Harbison is one of the most prominent composers of the twentieth and twenty-first centuries. He has made major contributions in all areas of classical music, including operas, symphonies, chamber music, choral works, and vocal pieces.Among his vast output is 'Four Songs of Solitude,' his only composition (to date) for solo violin. Though the piece is beautiful and reflective in nature, its inherent technical and musical difficulties present challenges to violinists preparing the piece. There is no published edition of 'Four Songs of Solitude' that includes bowings and fingerings, and violinists used to practicing and performing the études and repertoire ...

Contributors
Schreffler, Sarah, Mclin, Katherine, Hill, Gary, et al.
Created Date
2012

John La Montaine (b. 1920) has devoted his life to music composition. His major works total 62 opus numbers, including operas, concertos, songs, chamber music, and orchestral works as well as eleven compositions for solo piano. Among his composition teachers were Nadia Boulanger and Howard Hanson, and his first piano concerto was awarded the 1959 Pulitzer Prize for Music. He was active also as a concert soloist and collaborative pianist, appearing on prestigious concert series and with first-rank orchestras. Despite his obvious success, La Montaine did not seek publicity. As a result, the majority of his music is not widely ...

Contributors
O'Brien, Andrew, Hamilton, Robert, Cosand, Walter, et al.
Created Date
2010

ABSTRACT This project features five new pieces for clarinet commissioned from three different composers including: 1. Rasa by Jeffrey Ouper 2. Faerie Tale Dances by Jeffrey Ouper 3. Amalgamated Widget by Tavia Sullens 4. Faerie Suite by Theresa Martin 5. Time Lapse by Theresa Martin Faerie Suite and Amalgamated Widget are for unaccompanied clarinet; Time Lapse is a trio for clarinet, bass clarinet, and piano; Faerie Tale Dances is a trio for E-flat clarinet, sopranino recorder, and toy piano; and Rasa is a quartet for E-flat clarinet, two A clarinets, and bass clarinet. These pieces challenge the performer in various ...

Contributors
Applegate, James Patrick, Spring, Robert, Gardner, Joshua, et al.
Created Date
2018

The legacy of the great double bassist and pedagogue Joseph Prunner (1886-1969) includes his scale and arpeggio exercise book, Progressive Studies for the Double Bass, composed in 1955. Progressive Studies was originally written for Prunner's students at the Bucharest Conservatoire and was not intended for a wide publication. In the work Prunner presents major and harmonic and melodic minor scales that are performed in one octave and then extended diatonically through all their modes, progressing through this pattern for three octaves, followed by a series of arpeggio exercises. These exercises are based on a modernized fingering system and are offered ...

Contributors
Stotz, Daniel Aaron, Rotaru, Catalin, Holbrook, Amy, et al.
Created Date
2012

Owen Middleton (b. 1941) enjoys an established and growing reputation as a composer of classical guitar music, but his works for piano are comparatively little known. The close investigation offered here of Middleton's works for piano reveals the same impressive craftsmanship, compelling character, and innovative spirit found in his works for guitar. Indeed, the only significant thing Middleton's piano music currently lacks is the well-deserved attention of professional players and a wider audience. Middleton's piano music needs to be heard, not just discussed, so one of this document's purposes is to provide a recorded sample of his piano works. While ...

Contributors
Moreau, Barton Andrew, Hamilton, Robert, Holbrook, Amy, et al.
Created Date
2011

Pre-collegiate clarinet instructors are often challenged to teach students both fundamental skills and repertoire with limited instructional time. Insufficient time may cause fundamental skills to be addressed at the expense of repertoire or repertoire study may limit time spent on fundamental development. This document provides a suggested repertoire list that categorizes pre-collegiate clarinet literature based on the fundamental skill addressed in each included piece. Teachers can select repertoire that allows students to concurrently refine a fundamental skill while preparing a piece for performance. Addressed fundamental topics include embouchure, expanding the range into the clarion and altissimo registers, articulation, breathing, intonation, ...

Contributors
Austermann, Kelly R., Spring, Robert, Gardner, Joshua, et al.
Created Date
2014

Heinrich Heine’s collection of poems, Lyrisches Intermezzo, is well-known in music circles, largely due to Robert Schumann’s settings of sixteen of these poems in his masterwork Dichterliebe. Because of Dichterliebe’s place of importance in art song literature, many other settings of Heine’s sixty-five poems are often overlooked. Breton-born composer Joseph Guy Marie Ropartz composed Quatre Poèmes d’après l’Intermezzo d’Henri Heine in 1899, after having collaborated on a new French translation of the entire Lyrisches Intermezzo in 1890. This cycle is rarely performed, largely due to Ropartz’s relative obscurity as a composer, as the focus of his career was administration of ...

Contributors
Hutchinson, Taylor Grace, Campbell, Andrew, Holbrook, Amy, et al.
Created Date
2019