ASU Electronic Theses and Dissertations
This collection includes most of the ASU Theses and Dissertations from 2011 to present. ASU Theses and Dissertations are available in downloadable PDF format; however, a small percentage of items are under embargo. Information about the dissertations/theses includes degree information, committee members, an abstract, supporting data or media.
In addition to the electronic theses found in the ASU Digital Repository, ASU Theses and Dissertations can be found in the ASU Library Catalog.
Dissertations and Theses granted by Arizona State University are archived and made available through a joint effort of the ASU Graduate College and the ASU Libraries. For more information or questions about this collection contact or visit the Digital Repository ETD Library Guide or contact the ASU Graduate College at email@example.com.
- 2 English
Throughout history composers have used music to depict their perception of the refugee experience. This project expands upon this idea through the commission and recording of four new works for saxophone. The compositions are Different Arks for solo alto saxophone by John Secunde, Rubble/Resolve for alto saxophone and piano by Jared Yackiw, Emerging Light for soprano saxophone and vibraphone by Alan Hankers, and Unam aeternam for solo alto saxophone and stereo playback by Ashlee Busch. For each work, this project provides performance guides, biographical contexts, program notes, and recordings. I hope to encourage artists to discover and facilitate creative ways …
- Sacco, Christopher, Creviston, Christopher, Feisst, Sabine, et al.
- Created Date
This project features three new pieces for clarinet commissioned from three different composers. Two are for unaccompanied clarinet and one is for clarinet, bass clarinet, and laptop. These pieces are Storm's a Comin' by Chris Burton, Light and Shadows by Theresa Martin, and My Own Agenda by Robbie McCarthy. These three solos challenge the performer in various ways including complex rhythm, use of extended techniques such as growling, glissando, and multiphonics, and the incorporation of technology into a live performance. In addition to background information, a performance practice guide has also been included for each of the pieces. This guide …
- Vaughan, Melissa Lynn, Spring, Robert, Micklich, Albie, et al.
- Created Date