Skip to main content

ASU Electronic Theses and Dissertations


This collection includes most of the ASU Theses and Dissertations from 2011 to present. ASU Theses and Dissertations are available in downloadable PDF format; however, a small percentage of items are under embargo. Information about the dissertations/theses includes degree information, committee members, an abstract, supporting data or media.

In addition to the electronic theses found in the ASU Digital Repository, ASU Theses and Dissertations can be found in the ASU Library Catalog.

Dissertations and Theses granted by Arizona State University are archived and made available through a joint effort of the ASU Graduate College and the ASU Libraries. For more information or questions about this collection contact or visit the Digital Repository ETD Library Guide or contact the ASU Graduate College at gradformat@asu.edu.




Historically, music and the experiences of deaf or hard-of-hearing (DHH) individuals have been intertwined in one manner or another. However, music has never ignited as much hope for the “improvement” of the Deaf experience as during the American oralist movement (ca. 1880-1960) which prioritized lip-reading and speaking over the use of sign language. While it is acknowledged that the oralist movement failed to provide the best possible education to many American DHH students and devastated many within the Deaf community, music scholars have continued to cite publications by oralist educators as rationales for the continued development of music programs for …

Contributors
Lloyd, Abby Lynn, Norton, Kay, Gardner, Joshua, et al.
Created Date
2017

Tres Tangos para Duo de Contrabajos (Three Tangos for Double Bass Duet) is a three-movement set written by Andrés Martín and commissioned by Darren Cueva specifically for this document and accompanying performance project. This piece blends tango with Western art music in a style often referred to as “nuevo tango” (new tango) which was popularized by Astor Piazzolla. This research paper will serve as a performance aid for those wishing to present tango idioms on the double bass in addition to a more detailed guide to performing Tres Tangos by Martín. To give context to performers, this survey begins with …

Contributors
Cueva, Darren, Rotaru, Catalin, Koonce, Frank, et al.
Created Date
2018

The close relationship between mathematics and music has been well documented in Western cultures since at least the time of the ancient Greeks. While many connections have been made between math and music over the centuries, it seems that many modern researchers have attempted to create interdisciplinary bridges between these disciplines by using mathematical principles to explain several essential aspects of music: harmony, melody, form, and rhythm. Using these established connections, in addition to several of my own, I have created an undergraduate level survey of Western music course for a population of mathematically inclined students. This approach makes music …

Contributors
Cueva, Darren Luis, Norton, Kay, Wells, Christopher, et al.
Created Date
2019

Joseph Turrin’s compositions for trumpet are frequently performed, and have become a large part of the trumpet repertoire. His trumpet works are played at events such as International Trumpet Guild conferences, have been featured with many well-known orchestras and bands, and are standard recital works. Many of Turrin’s trumpet works have been performed and recorded by well-established musicians, which include Philip Smith, Joseph Alessi, David Hickman, Robert Sullivan, Brian Shaw, Thomas Hooten, Terry Everson, Wynton Marsalis, and Alison Balsom. This study examines in detail each of Joseph Turrin’s twenty-four published works for trumpet. Turrin’s pieces include Elegy, Caprice, Concerto for …

Contributors
Albrecht, Christopher, Hickman, David, Swoboda, Deanna, et al.
Created Date
2019

Between the years of 1818 and 1833 the Austrian composer, teacher, and pianist, Carl Czerny (1791–1857) wrote one of his greatest compositions, the f minor Grand Piano Sonata, Op.178 for piano four hands. Overshadowed by composers like Ludwig van Beethoven, Frederic Chopin, Robert Schumann, Johannes Brahms and possibly because of Czerny’s prolific pedagogical output, this work has received little scholarly attention and is rarely performed. The aim of my paper is first to provide a concise background of the composer for better insight of his ideas and influences and, second to provide a theoretical framework and analysis of the composition …

Contributors
Shui, Ho Michael, Pagano, Caio, Ryan, Russell, et al.
Created Date
2019

When one thinks of the great German Romantic organs of Ladegast, Walcker, Schulze, and Sauer, visions of the large colossus organs of the cathedrals of Merseburg, Schwerin, and Berlin come to mind. These instruments were rich in power but also in timbre and dynamic contrasts, able to crescendo from barely audible to thundering and back. On the other hand, their eighteenth-century predecessors in the Southern and Central German regions of Baden-Württemburg, Bavaria, Thuringia, and Saxony showed a softer side characterized by few reeds and mixtures, generally small size, and gentle voicing and winding. However, many of the traits found in …

Contributors
Burns, Brandon Lee, Marshall, Kimberly A, Ryan, Russell R, et al.
Created Date
2019

Transcriptions and arrangements of works originally written for other instruments have greatly expanded the guitar’s repertoire. This project focuses on a new arrangement of the Suite in A Minor by Élisabeth Jacquet de la Guerre (1665–1729), which originally was composed for harpsichord. The author chose this work because the repertoire for the guitar is critically lacking in examples of French Baroque harpsichord music and also of works by female composers. The suite includes an unmeasured harpsichord prelude––a genre that, to the author’s knowledge, has not been arranged for the modern six-string guitar. This project also contains a brief account of …

Contributors
Sewell, David, Koonce, Frank, Rotaru, Catalin, et al.
Created Date
2019