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ASU Electronic Theses and Dissertations


This collection includes most of the ASU Theses and Dissertations from 2011 to present. ASU Theses and Dissertations are available in downloadable PDF format; however, a small percentage of items are under embargo. Information about the dissertations/theses includes degree information, committee members, an abstract, supporting data or media.

In addition to the electronic theses found in the ASU Digital Repository, ASU Theses and Dissertations can be found in the ASU Library Catalog.

Dissertations and Theses granted by Arizona State University are archived and made available through a joint effort of the ASU Graduate College and the ASU Libraries. For more information or questions about this collection contact or visit the Digital Repository ETD Library Guide or contact the ASU Graduate College at gradformat@asu.edu.


Mime Type
Subject
Date Range
2011 2019


"Modernist Vintages" considers the significance of wine in a selection of modernist texts that includes Oscar Wilde's Salomé (1891), Dorothy Richardson's Honeycomb (1917), James Joyce's Ulysses (1922), and Evelyn Waugh's Brideshead Revisited: The Sacred and Profane Memories of Captain Charles Ryder (1945). The representations of wine in these fictions respond to the creative and destructive depictions of wine that have imbued the narratives of myth, religion, and philosophy for thousands of years; simultaneously, these works recreate and reflect on numerous wine-related events and movements that shaped European discourse in the nineteenth and twentieth centuries. The modernists use wine's conventional associations …

Contributors
Waugh, Laura, Lussier, Mark, Bivona, Daniel, et al.
Created Date
2013

New Pastoral journeys through the altered states of the American West. Readers witness dream-fields at harvest time, watch humans become agro-industrial test subjects, and overhear an exchange of letters set in an alternate (?), [more] dystopian present. Fractured, fragmented, leaping, and stitched, the poems use disjuncture, within and/or between poems, to see with clarity and complexity a landscape that is increasingly all ecotone. In addition to environmental violence, this work explores disclosure and secrecy, intimacy and estrangement, voyeurism, political policing, and, inevitably, the mysteries of making art. Pastoral landscapes have often been compared to patchwork. Now, heavy with guilt, we …

Contributors
Slinker, Nathan, Dubie Jr, Norman, Hummer, Terry, et al.
Created Date
2014

Holidays. Anniversaries. Cocktail parties. In No One Wants to Be Here and No One Wants to Leave, loneliness surfaces in crowded rooms across America. Having gathered to mark special occasions, the people in these stories instead encounter moments where celebration and sadness intermingle. Dissertation/Thesis

Contributors
Albers, Jeffrey, Mcnally, T.M., Pritchard, Melissa, et al.
Created Date
2014

The mid-eighteenth century publication of national British folk collections like James MacPherson's Works of Ossian and Thomas Percy's Reliques of Ancient English Poetry, placed a newfound interest in the ancient literature associated with Northern/Gothic heritage. This shift from the classical past created a non-classical interest in the barbarism of Old Norse society, which appeared to closely resemble the Anglo-Saxons. In addition to this growing interest, Edmund Burke's seminal treatise, A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful, provided a newfound aesthetic interest in objects of terror. The barbaric obscurity and exoticism associated with the …

Contributors
Lines, Sydney, Lussier, Mark, Broglio, Ronald, et al.
Created Date
2013

ABSTRACT As a writer and a journalist, I have always been interested in narrative. When I moved to the small town of Wickenburg, Arizona in 2003, and began to get acquainted, a friend said to me, "The only way you leave Wickenburg is in a box." The town of Wickenburg places much importance on its history, a focus that led me to explore its related literature of the U.S. West, moving from there to think about evocative objects, collections, and to Material Culture Theory. This thesis considers three objects as springboards for exploring identity, sense of place, memory, and the …

Contributors
Neu, Lora Lee, Horan, Elizabeth R, Tobin, Mary E, et al.
Created Date
2011

ABSTRACT This research aims to investigate the work and impact of the prolific and popular Pablo Parellada y Molas. Although the author is now forgotten, he is an important figure regarding the struggles between Modernist writers and their critics. Pablo Parellada was one the key detractors of literary Modernism, a movement which he attacked through his parodies as evinced in his poetry, drama and short stories. His works contain the main pejorative features that would become the standard critique of these young poets of Spain in the early 1900's. Through the work of Pablo Parellada, this study seeks to understand …

Contributors
Herreria Fernandez, Antonio, Acereda, Alberto, Urioste, Carmen, et al.
Created Date
2012

This thesis makes a comparison between the internal dialogue of the Empress Carlota of Mexico in Noticias del Imperio (1987), by Fernando del Paso, and the internal dialogue developed in the original written letters by Carlota during her insanity in 1869. These letters were published in the book Una emperatriz en la noche (2010) by Laurence van Ypersele. Del Paso uses the New Historical Novel genre to write about the French Invasion in Mexico and to bring back to life Carlota, Maximilian, and Benito Juarez amongst others. In the case of Carlota, del Paso uses fiction to recreate the thoughts …

Contributors
Salinas, David, Volek, Emil, García-Fernández, Carlos Javier, et al.
Created Date
2015

The original-practices movement as a whole claims its authority from early modern theatrical conditions. Some practitioners claim Shakespeare in many ways as their co-creator; asserting that they perform the plays as Shakespeare intended. Other companies recognize the impossibility of an authorial text, and for them authority shifts to the Renaissance theatre apparatus as a whole. But the reality is that all of these companies necessarily produce modern theatre influenced by the 400 years since Shakespeare. Likewise, audiences do not come to these productions and forget the intervening centuries. This dissertation questions the new tradition created by using early modern performance …

Contributors
Steigerwalt, Jennifer, Thompson, Ayanna, Ryner, Brad, et al.
Created Date
2013

During the 1960s, American youth were coming of age in a post–war period marked by an unprecedented availability of both money and leisure time. These conditions afforded young people new opportunities for exploring fresh ways of thinking and living, beyond the traditional norms of their parents' generation. Tom Wolfe recognized that a revolution was taking place, in terms of manners and morals, spearheaded by this latest generation. He built a career for himself reporting on the diverse groups that were developing on the periphery of the mainstream society and the various ways they were creating social spaces, what he termed …

Contributors
Kilduff, Josiah Ray, Ortiz, Simon J., De La Garza, Sarah A., et al.
Created Date
2014

This dissertation addresses the representation of women in the poetry of the Irish poet Thomas Kinsella. Using a variety of theoretical approaches, including historical criticism, French feminist theory and Jungian psychoanalytical theory, I argue that although women are an integral part of Kinsella's ongoing aesthetic project of self-interrogation, their role in his poetry is deeply problematic from a feminist perspective. For purposes of my discussion I have divided my analysis into three categories of female representation: the realistically based figure of the poet's wife Eleanor, often referred to as the Beloved; female archetypes and anima as formulated by the psychologist …

Contributors
Leavy, Adrienne, Castle, Gregory, Hummer, Terry, et al.
Created Date
2013