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ASU Electronic Theses and Dissertations

This collection includes most of the ASU Theses and Dissertations from 2011 to present. ASU Theses and Dissertations are available in downloadable PDF format; however, a small percentage of items are under embargo. Information about the dissertations/theses includes degree information, committee members, an abstract, supporting data or media.

In addition to the electronic theses found in the ASU Digital Repository, ASU Theses and Dissertations can be found in the ASU Library Catalog.

Dissertations and Theses granted by Arizona State University are archived and made available through a joint effort of the ASU Graduate College and the ASU Libraries. For more information or questions about this collection contact or visit the Digital Repository ETD Library Guide or contact the ASU Graduate College at

Throughout history composers have used music to depict their perception of the refugee experience. This project expands upon this idea through the commission and recording of four new works for saxophone. The compositions are Different Arks for solo alto saxophone by John Secunde, Rubble/Resolve for alto saxophone and piano by Jared Yackiw, Emerging Light for soprano saxophone and vibraphone by Alan Hankers, and Unam aeternam for solo alto saxophone and stereo playback by Ashlee Busch. For each work, this project provides performance guides, biographical contexts, program notes, and recordings. I hope to encourage artists to discover and facilitate creative ways …

Sacco, Christopher, Creviston, Christopher, Feisst, Sabine, et al.
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Technological advancements in computers and audio software and hardware devices in the twenty-first century have led to the expansion of possibilities for music composition, including works for acoustic instruments and live electronics. Electroacoustic composition is rapidly and continually evolving, and much that has been written about compositional techniques for percussion and live electronics is becoming outdated. Live electronics include performer-triggered events, audio processing, electronic responses to various inputs, and electronic decision-making during live performances. These techniques can be employed in a variety of ways. This project sheds light on how modern composers of different musical and cultural backgrounds reimagine the …

Wier, Alexander Carl, Smith, Jeffrey, Feisst, Sabine, et al.
Created Date