Skip to main content

ASU Electronic Theses and Dissertations


This collection includes most of the ASU Theses and Dissertations from 2011 to present. ASU Theses and Dissertations are available in downloadable PDF format; however, a small percentage of items are under embargo. Information about the dissertations/theses includes degree information, committee members, an abstract, supporting data or media.

In addition to the electronic theses found in the ASU Digital Repository, ASU Theses and Dissertations can be found in the ASU Library Catalog.

Dissertations and Theses granted by Arizona State University are archived and made available through a joint effort of the ASU Graduate College and the ASU Libraries. For more information or questions about this collection contact or visit the Digital Repository ETD Library Guide or contact the ASU Graduate College at gradformat@asu.edu.


A poster advertising two 1966 performances of Duke Ellington’s First Sacred Concert at Trinity Cathedral catalyzed research into several storylines that stem from the jazz great’s time in Phoenix, Arizona. Ellington’s arrival on the weekend of November 10th, 1966, was surrounded by controversy within Trinity Cathedral, the Diocese of Arizona, and the diocesan relationship to the national Episcopal Church. Because Phoenix had recently passed civil rights legislation, race relations remained on unstable footing when Ellington’s sacred jazz music—performed by Ellington’s black band members—filled the nave of the historic cathedral. This concert stimulated research into Duke Ellington’s connection to the Episcopal …

Contributors
Downey, Ryan, FitzPatrick, Carole, Norton, Kay, et al.
Created Date
2017

Many of the works of Dominick Argento have been researched and analyzed, but his choral work Evensong: Of Love and Angels s has received limited attention thus far. Written in memoriam for his wife Carolyn Bailey Argento, Evensong draws its musical material from her initials C.B.A. These letters, translated into note names, form a conspicuous head motive that is present in each movement of the work, and it serves multiple functions: as a melodic feature, as the foundation for a twelve-tone row, and as a harmonic base. This paper provides an overview of the work's conception with specific relation to …

Contributors
Page, Carrie Leigh, Rogers, Rodney, Demars, James, et al.
Created Date
2011

The organ in the Catholic Church of the United States is a mirror of its time, reflecting the various challenges facing Catholic liturgy today. In some cases, it reflects the rich patrimony of European immigrants, anxious to replicate the liturgical conditions they left behind. In others, it reflects the efforts of liturgical reformers to "update" the liturgy, creating more opportunities for what they understand to be active participation of the faithful. The absence of the organ in some American Catholic churches, particularly, in the time following the liturgical reforms of Vatican II, raises questions on the direction of sacred music …

Contributors
Hart, Skye Matthew, Marshall, Kimberly A., Koonce, Frank W., et al.
Created Date
2010