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ASU Electronic Theses and Dissertations

This collection includes most of the ASU Theses and Dissertations from 2011 to present. ASU Theses and Dissertations are available in downloadable PDF format; however, a small percentage of items are under embargo. Information about the dissertations/theses includes degree information, committee members, an abstract, supporting data or media.

In addition to the electronic theses found in the ASU Digital Repository, ASU Theses and Dissertations can be found in the ASU Library Catalog.

Dissertations and Theses granted by Arizona State University are archived and made available through a joint effort of the ASU Graduate College and the ASU Libraries. For more information or questions about this collection contact or visit the Digital Repository ETD Library Guide or contact the ASU Graduate College at

Puerto Rican composers Hector Campos Parsi (1922-1998) and Jack Delano (1914-1997) form an integral part of the nationalistic school of composition that revolutionized the island during the mid to late twentieth century. They both sought to combine Western Classical composition techniques with folkloric and traditional musical elements from Puerto Rico. In doing so, not only did they transform the way Western Classical music was made on the island, but they also brought validation and recognition to Puerto Rico’s culture as well as folkloric and popular musical heritage. Furthermore, both of these composers wrote works for violin and piano that form …

de Sandino, Ayisha Elisabeth Moss, Jiang, Danwen, Rogers, Rodney, et al.
Created Date

In 1975 the Canadian Broadcasting Company (CBC) invited John Cage to write a composition for the bicentennial birthday of the United States. The result was Lecture on the Weather, a multi-media work for twelve expatriate vocalists and/or players with independent sound systems, magnetic tape, and film. Cage used texts by Henry David Thoreau, recordings of environmental sounds made by American composer Maryanne Amacher and a nature-inspired film by Chilean visual artist Luis Frangella. The composition opens with a spoken Preface and is arguably one of Cage’s most overtly political pieces. A year later the National Endowment of the Arts (NEA) …

Finkel, Joseph Christopher, Feisst, Sabine M, Rogers, Rodney, et al.
Created Date