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ASU Electronic Theses and Dissertations


This collection includes most of the ASU Theses and Dissertations from 2011 to present. ASU Theses and Dissertations are available in downloadable PDF format; however, a small percentage of items are under embargo. Information about the dissertations/theses includes degree information, committee members, an abstract, supporting data or media.

In addition to the electronic theses found in the ASU Digital Repository, ASU Theses and Dissertations can be found in the ASU Library Catalog.

Dissertations and Theses granted by Arizona State University are archived and made available through a joint effort of the ASU Graduate College and the ASU Libraries. For more information or questions about this collection contact or visit the Digital Repository ETD Library Guide or contact the ASU Graduate College at gradformat@asu.edu.


Esta disertación analiza las maneras en que el sujeto (in)migratorio es representado en el cine español y argentino de los últimos años. El estudio investiga cómo el cine del (in)migrante ofrece convincentes narraciones (no)ficticias que son aportadas con temas de raza, género, lenguaje e identidad desde ambas perspectivas del sujeto migratorio y de aquellos ubicados dentro de las culturas "indígenas" de recepción. Al cuestionar la conceptualización de la nación-estado, este proyecto contribuye a una base teórica fundada en una ruptura de las nociones hegemónicas que han construido opiniones de diferencia y aceptación de una persona sobre otro. En términos de …

Contributors
Black, Kyle Kenneth, Foster, David W, Tompkins, Cynthia, et al.
Created Date
2012

ABSTRACT Mexican Golden Age Cinema materialized the narratives of identity, unity and morality that became the obligated point of reference to understand social stability and mexicaness during the post-revolutionary period. Hence, film stars evolved into cultural icons that embodied the representation of patriarchal order as a synonym for nationalism. However, dissident depictions that challenged carefully tailored heteronormative roles were as much a part of the post-revolutionary reality as was the attempt to manufacture a utopic heterosexual family on screen, that functioned as a metaphor for national reunification under the law of the father/president of the Mexican Republic. Nonetheless, even when …

Contributors
Baeza Lope, Ileana, Foster, David W, De Urioste, Carmen, et al.
Created Date
2014