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ASU Electronic Theses and Dissertations


This collection includes most of the ASU Theses and Dissertations from 2011 to present. ASU Theses and Dissertations are available in downloadable PDF format; however, a small percentage of items are under embargo. Information about the dissertations/theses includes degree information, committee members, an abstract, supporting data or media.

In addition to the electronic theses found in the ASU Digital Repository, ASU Theses and Dissertations can be found in the ASU Library Catalog.

Dissertations and Theses granted by Arizona State University are archived and made available through a joint effort of the ASU Graduate College and the ASU Libraries. For more information or questions about this collection contact or visit the Digital Repository ETD Library Guide or contact the ASU Graduate College at gradformat@asu.edu.


Illuminating Silent Voices: An African-American Contribution to the Percussion Literature in the Western Art Music Tradition will discuss how Raymond Ridley's original composition, FyrStar (2009), is comparable to other pre-existing percussion works in the literature. Selected compositions for comparison included Darius Milhaud's Concerto for Marimba, Vibraphone and Orchestra, Op. 278 (1949); David Friedman's and Dave Samuels's Carousel (1985); Raymond Helble's Duo Concertante for Vibraphone and Marimba, Op. 54 (2009); Tera de Marez Oyens's Octopus: for Bass Clarinet and one Percussionist (marimba/vibraphone) (1982). In the course of this document, the author will discuss the uniqueness of FyrStar's instrumentation of nine single …

Contributors
Thompson, Darrell Irwin, Sunkett, Mark E, Bush, Jeffrey, et al.
Created Date
2012

Performances of three prominent, full-time brass chamber ensembles (the Canadian Brass, Mnozil Brass, and Trompettes de Lyon), are studied for their inclusion of entertainment outside the bounds of traditional music performance. The various additions include acting, choreography, novel changes in instrumentation, props, technical exhibitions, audience interaction, and inherently humorous arrangements. These are identified, categorized, and analyzed for frequency of use. Representative scenes from each ensemble are compared for similarities with the intent of establishing general rules for the usage of each non-traditional element. Differences in overall show structure, compared to that of traditional chamber ensembles, are also discussed. In a …

Contributors
Wilson, Alexander Mitchell, Hickman, David, Swoboda, Deanna, et al.
Created Date
2017

Yannis Constantinidis was the last of the handful of composers referred to collectively as the Greek National School. The members of this group strove to create a distinctive national style for Greece, founded upon a synthesis of Western compositional idioms with melodic, rhyhmic, and modal features of their local folk traditions. Constantinidis particularly looked to the folk melodies of his native Asia Minor and the nearby Dodecanese Islands. His musical output includes operettas, musical comedies, orchestral works, chamber and vocal music, and much piano music, all of which draws upon folk repertories for thematic material. The present essay examines how …

Contributors
Savvidou, Dina, Hamilton, Robert, Little, Bliss, et al.
Created Date
2011