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ASU Electronic Theses and Dissertations


This collection includes most of the ASU Theses and Dissertations from 2011 to present. ASU Theses and Dissertations are available in downloadable PDF format; however, a small percentage of items are under embargo. Information about the dissertations/theses includes degree information, committee members, an abstract, supporting data or media.

In addition to the electronic theses found in the ASU Digital Repository, ASU Theses and Dissertations can be found in the ASU Library Catalog.

Dissertations and Theses granted by Arizona State University are archived and made available through a joint effort of the ASU Graduate College and the ASU Libraries. For more information or questions about this collection contact or visit the Digital Repository ETD Library Guide or contact the ASU Graduate College at gradformat@asu.edu.


The study and performance of J.S. Bach’s music has long been essential for every string musician. A transcription of the Flute Partita in A minor, BWV 1013, is an excellent addition to the double bass repertoire. This paper includes a performance guide that discusses the technical and musical considerations of each movement, and a new transcription for double bass. Chapter 1 introduces the goals of the paper. Chapter 2 is an overview of the transcription that covers the reasoning behind the bowings, fingerings, note alterations, ornamentation, articulation, and interpretation included in the transcription. Chapters 3 through 6 discuss these technical …

Contributors
Wang, Chunyang, Rotaru, Catalin, Landschoot, Thomas, et al.
Created Date
2018

The purpose of this project was to provide a pedagogical resource for students and teachers that highlights selected transcriptions of former Los Angeles Philharmonic principal trombonist Ralph Sauer (b. 1944), and how those works can be used in an applied instruction setting. The compositions include Bartók’s Romanian Folk Dances, Debussy’s Syrinx, Pergolesi’s Sinfonia in F, Sonata in B-flat by Mozart, and Saint-Saëns The Nightingale. The sections dealing with pedagogical concepts are presented as conversationally as possible to facilitate ease of understanding by teachers of any background and level. Educators who are not trombonists or are otherwise not wholly familiar with …

Contributors
Bledsoe, Joshua L, Humphreys, Jere T, Rogers, Rodney, et al.
Created Date
2019

Works for clarinet in the twentieth century exist in abundance; furthermore, the number of extant works from the Classical period is substantial. However, works for solo clarinet in the late-Romantic style are lacking; most of the significant literature for clarinet is contained in orchestral works. Therefore, the purpose of this project is to add to the solo clarinet repertoire of the late Romantic-style through the transcription of works written originally for viola. The four works transcribed for this project are by York Bowen. Bowen was a British composer and pianist who taught at the Royal Academy of Music in England. …

Contributors
Deboer, Andrew Caleb, Spring, Robert S, Hill, Gary, et al.
Created Date
2011

The solo repertoire from the Light Music Era serves as an important link between the Classical and Jazz soloist traditions. These characteristics are best highlighted through an analysis of three solo transcriptions: Felix Arndt's Nola as performed by Al Gallodoro, Rudy Wiedoeft's Valse Vanité, as performed by Freddy Gardener, and Jimmy Dorsey's Oodles of Noodles, as performed by Al Gallodoro. The transcriptions, done by the author, are taken from primary source recordings, and the ensuing analysis serves to show the saxophone soloists of the Light Music Era as an amalgamation of classical and jazz saxophone. Many of the works performed …

Contributors
Puccio, Daniel Scott, Mcallister, Timothy P, Feisst, Sabine, et al.
Created Date
2012

The study of artist transcriptions is an effective vehicle for assimilating the language and style of jazz. Pairing transcriptions with historical context provides further insight into the back story of the artists' life and method. Innovators are often the subject of published studies of this kind, but transcriptions of plunger-mute master Al Grey have been overlooked. This document fills that void, combining historical context with thirteen transcriptions of Grey's trombone features and improvisations. Selection of transcribed materials was based on an examination of historically significant solos in Al Grey's fifty-five-year career. The results are a series of open-horn and plunger …

Contributors
Hopkins, Charles, Pilafian, Sam, Stauffer, Sandra, et al.
Created Date
2011