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Le Dédoublement, les Contradictions et la Diversité dans le Théâtre de Musset à travers Les Caprices de Marianne et On ne Badine pas avec l'Amour

Abstract Alfred de Musset (1810-1857) is one of the greatest playwrights of the Romantic era. The most attractive fact of his work is the diversity of topics, genres, tones, opinions and styles. Musset's theater was created in the romantic drama period, which was influenced by abroad. He sought freedom of creation and sometimes showed independence from writers taking his own initiatives to change and mix different writing styles. Throughout the different parts of this thesis, I analyzed in detail the dramatic work of Musset, especially through his two plays, Les Caprices de Marianne (1833) and On ne Badine pas avec l'Amour (1834), to study the artistic originality of such an exceptionally talented artist. He lived in the Romantic period but ... (more)
Created Date 2011
Contributor Alavi, Azadeh (Author) / Canovas, Frederic (Advisor) / Cruse, Markus (Committee member) / Gallais, Sylvain (Committee member) / Arizona State University (Publisher)
Subject Literature
Type Masters Thesis
Extent 119 pages
Language French
Reuse Permissions All Rights Reserved
Note M.A. French 2011
Collaborating Institutions Graduate College / ASU Library
Additional Formats MODS / OAI Dublin Core / RIS

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Description Dissertation/Thesis