|Abstract||Sofia Gubaidulina’s Dancer on a Tightrope (Der Seiltänzer, 1993) for violin and piano is an excellent example of the sonic capabilities of both instruments. To convey the balance and uncertainty of a circus act, Gubaidulina makes ample use of rhythmic variation, flexible melodic gestures, compound meters, dissonance, and indeterminacy in notation of musical time. Due to the intricate nature of both parts, this can be a difficult work to perform accurately. This paper is an accompanying document to the score to explain notations, suggest performance techniques for both instruments, and provide a thorough analysis of the complete work.
Students of Gubaidulina’s music can find numerous studies detailing her biography as a Soviet and post-Sovi... (more)
|Contributor||Birch, Alexandra (Author) / McLin, Katherine (Advisor) / Feisst, Sabine (Committee member) / Ryan, Russell (Committee member) / Arizona State University (Publisher)|
|Subject||Music / Performing arts / Russian history / 20th Century Violin Works / Dancer on a Tightrope / Gubaidulina / Piano / Violin / Violin Performance|
|Note||Doctoral Dissertation Music 2017|
|Collaborating Institutions||Graduate College / ASU Library|
|Additional Formats||MODS / OAI Dublin Core / RIS|